Poetry chapbook by Gary Metras
Finishing Line Press, 2008
Review by Rebecah Pulsifer

. . . . . . . . . . . . . Because a child ignores the tourists and only steps
. . . . . . . . . . . . . on the white stones to enter the cathedral
. . . . . . . . . . . . . Because sheep graze the hillside
. . . . . . . . . . . . . Because a woman loves you
. . . . . . . . . . . . . there is God
. . . . . . . . . . . . . There
. . . . . . . . . . . . . is.
. . . . .Despite the occasional condemnation of the modern world—which Metras represents as “the great age of global leisure”—Francis still has a place here: a beggar woman “lifted her face to me when I placed a euro in her hand….” At times fearful of the shifting face of religion and nature, Francis d’Assisi 2008 finds its stride when it allows the colors of the old and the new to run together in what becomes simultaneously an impressionistic elegy to simplicity and a patient urban pastoral. Ultimately, Metras’s careful craft and sensitive lineation paint the life of a familiar figure in crisp, evocative images. Both for spiritual refreshment as well as literary pleasure, Francis d’Assisi 2008 is well worth reading.
Rebecah Pulsifer is the Associate Editor of OT!M.